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It Never Changes To Stop

Projects > It Never Changes To Stop

My obsession is oppressive. It takes away my free will. I create films in order to channel my energy and perception of the world. In this film the infinite pattern of eyes creates a haunting prison. This externalizes my internal feeling. It’s like a case study of a world in which you are always watched. I wanted to externalize that kind of obsession. Is it possible to escape this prison?

Response to: 
Kusama Obsession
Tags:
  • Collaboration
  • Exhibition
  • Film
  • Installation
  • Performance
  • Photography
  • Sound

Project blog

The final piece - It Never Changes To Stop

Posted: 10/04/12

In my film I explore obsession and whether escape is possible.  Curiously, standing inside the externalisation of my mind was a huge relief. I slept in the room 5 times because I loved it so much.  I think this is maybe what drives Kusama to create her work. At the end of the...

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A 'Making of' documentary

Posted: 10/04/12

I made this short documentary to help explain the ideas behind the film. It was a really useful break from the editing as it made me realise more clearly why I was doing what I was doing, what had prompted it as well as giving me an opportunity to distance myself from the project and come back...

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Editing

Posted: 10/04/12

Editing is the most important part of the film. It’s one of the most challenging because it’s when you really have to piece everything together and ensure it speaks for itself. You have to be really ruthless. You have to be able to take out a shot that looks brilliant in order to...

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Creating the soundtrack

Posted: 10/04/12

Francis and I spent quite a bit of time thinking about the soundtrack and listened to many different tracks. I knew I didn’t want to create a music video. I ended up using soundtrack pro and putting stuff together to create a soundtrack. I edited the film according to the music and edited...

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Making the set

Posted: 10/04/12

My friend Francis and I put white sheets on the walls of my room and spent 3 days putting 300-400 eyes which I had already printed up on the walls. We made a track for a dolly using found wood so the camera could glide easily across the floor. We then borrowed lights from a friend and spent a...

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It Never Changes To Stop

Posted: 28/03/12

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Meet the artist

Gabriel Calderwood

Part of the Louis Vuitton Young Arts Project

SLG Whitechapel Gallery Royal Academy of Arts Tate Britain Southbank Centre
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